Title:
HERMENEUTICS AND PHENOMENOLOGY OF "SPECTACLE"

Authors:
Karzhaubayeva Sangul Kamalovna

Volume:1 Issue: 10

Abstract:
The article is devoted to the analysis and interpretation of the "theatre spectacle" as a culturalhistorical expression - the specific world of experiences and the connection of the peculiar text. The only novelty that opens the new problem is the connection between "masses" as mass media communication, shaping the mass of the masses, as well as the current social life, politics and economics. Every time a person walks in a spherical sphere, he / she personally moves to a collective type of prejudice and fertility. When a society has a structure, it has a lot of mass organization, a total of all its members, no matter what it is, in the realm of media-elements, the active and passive role of the subject. It is clear that the world can be extinguished from the ignorance of the world, and it does not give way to the public. H. Gadamer, having found the fundamental moments in the transformation of modern practitioners, considers the universal use of aesthetic and instrumental evidence for the exceptionable nature of the phenomenon.

Citation:

[Kamalovna, Karzhaubayeva Sangul. "HERMENEUTICS AND PHENOMENOLOGY OF 'SPECTACLE.'" IJAH, vol. 1, no. 10, 2017, pp. 862-866. November.]