Arts & Humanities Journal|IJAH

Title: CREATION PROCESS OF PAINTING POOR WOMEN USING PHOTO REALISM TECHNIQUE
Authors: Anna Susilowati
Volume:4 Issue: 4
\|\| \|\|
Anna Susilowati Indonesian Institute of the Arts Surakarta, Indonesia.
MLA 8 Susilowati, Anna. "CREATION PROCESS OF PAINTING POOR WOMEN USING PHOTO REALISM TECHNIQUE." Int. J. Arts&Humanities, vol. 4, no. 4, Apr. 2020, pp. 128-139, journal-ijah.org/more2019.php?id=10. Accessed Apr. 2020. APA Susilowati, A. (2020, April). CREATION PROCESS OF PAINTING POOR WOMEN USING PHOTO REALISM TECHNIQUE. Int. J. Arts&Humanities, 4(4), 128-139. Retrieved from journal-ijah.org/more2019.php?id=10 Chicago Susilowati, Anna. "CREATION PROCESS OF PAINTING POOR WOMEN USING PHOTO REALISM TECHNIQUE." Int. J. Arts&Humanities 4, no. 4 (April 2020), 128-139. Accessed April, 2020. journal-ijah.org/more2019.php?id=10.
References [1]. Parsudi Suparlan, Kemiskinan di Perkotaan, Bacaan untuk Antropologi Perkotaan (Poverty in the Cities, Reading for Urban Anthropology): Yayasan Obor Indonesia, 1984, p. 12. [2]. Thomas Hidya Tjaya, Enigma Wajah Orang Lain (Enigma in Another People Faces): KPG, 2012, p. 49. [3]. Joanne Grenspun, Chuck Close: The Museum of Modern Art, 1998, p. 29-31. [4]. Bustanul Arifin, Ketimpangan Setelah Otonomi Daerah (Inequality After Regional Autonomy): Tempo Magazine, 23rd Edition, Jun 2019, p.67. [5]. Fancesca Rhodes, Anam Parvez dan Rowan Harvey, Why the Majority of the World's Poor are Woman: Oxfam International, March 2017. [6]. Carlo Ludovico Ragghianti, Masterpieces of the World's Great Museums: The Hamlyn Publishing Group, 1988, p. 114. [7]. R. H. Fuchs, Dutch Painting: Thames and Hudson Ltd., 1989, p. 20. [8]. Dharsono Sony Kartika, Kreasi Artistik Perjumpaan Tradisi Modern dalam Paradigma Kekaryaan Seni (Artistic Creations Meelting Point of Modern Traditions in the Artwork Paradigm): Citra Sain, 2018, p. 88. [9]. John Arthur and Richard Estes, A Conversation: Museo Thyssen-Bornemisza, 2007, p. 102. [10]. Mikke Susanto, Diksi Rupa Kumpulan Istilah dan Gerakan Seni Rupa (The Art Diction Collection of Terms and Movement of Fine Arts), DictiArt Lab, 2011, p. 433. [11]. W.A. Darmaprawira and Sulasmi, Warna Teori dan Kreativitas Penggunaannya (Color Theories and Applied Creativities): ITB Press, 2002, p. 30. [12]. Sadjiman Ebdi Sanyoto, Nirmana Elemen-elemen Seni dan Desain (Art and Design Dimension Elements): Jalasutra, 2009, p. 32.
Keywords: Photo, Poor, Poverty, Realism, Women
Abstract: Not many painters create paintings in poverty-theme since they are considered unattractive and unfavourable by collectors. In contrast, this study conducted a research on poor people in Tebet Subdistrict to be painting objects. Tebet Subdistrict is a beautiful green and clean inhabited mostly by middle and upper class community. However, on the sidelines of the subdistrict were found poor people who work in the informal stor, such as rag pickers, buskers, unofficial parking attendants, housemaids, newspaper sellers and beggars. This study focused on portrayals in which female as the subject due to the fact that taking photographs and interviewing women were much more difficult. Women own a higher insecurity level to strangers than that of male informal workers. In creating a painting about poor women, the writer used photo realism style.
Download Full Text